Miranda July’s ME and YOU and EVERYONE WE KNOW a Promising Debut
American cinema of the past few years has become increasingly peppered with intimate, ensemble-driven character pieces (think Sideways, Garden State, or anything Wes Anderson). Today’s cinematic innovators are that hybrid known as “the filmmaker” – they both write and direct their movies, and often generate quite a niche fan base doing so. Indeed, these auteurs … Continue reading Miranda July’s ME and YOU and EVERYONE WE KNOW a Promising Debut
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