I will start with Truffaut’s first film, 400 Blows (1959), and derive what he might have felt towards women since that film is the most directly autobiographical one of all his films. As a boy, Antoine, who can be thought of as Truffaut’s alter ego, is seen as being rejected constantly by his mother in … Continue reading Truffaut’s Emotional Response to Women: How it Shapes What He Says About Women in His Films?