Harry Potter and the Prisoner of Azkaban

In the interest of full disclosure, let me start by stating for the record that I have enjoyed both of the previous films as well as the six novels that so far comprise the Harry Potter series. With each installment the plots get increasingly intriguing and the main characters grow with each adventure experienced and lesson learned. The third film, Harry Potter and the Prisoner of Azkaban, is no exception. It is an intelligent, fantasy adventure for members of the whole family.

It is year three for Harry and his friends at Hogwart’s School and the big news as the year begins is that Sirius Black has escaped Azkaban Prison. We first see Sirius as a screaming madman on the headlines of the paper. He was put in prison years ago when he was charged with assisting You-Know-Who in the murder of Harry’s parents and it’s assumed he’s headed to Hogwarts to find Harry.

Knowing that someone is out to murder you is a lot for any teenager to take, but the trauma is compounded when Harry learns that Sirius and Harry’s father, James, were friends when they attended Hogwart’s.

The school staff does its best to protect Harry. Professor Lupin, the new teacher of the Defence Against the Dark Arts, spends time after class and teaches Harry new spells, but will Harry master them in time? Headmaster Dumbledore summons the guards of the Azkaban Prison, black, willowy specters known as Dementors, to secure the school grounds. These creatures have the ability to suck your soul right out of you.

The problem is that Sirius snuck by them once to escape. Will the Dementors be able to find him before it’s too late? To make matters even worse, it’s discovered that one of the teachers is assisting Sirius, but whom?

This film is well written and Steven Kloves does a good job adapting Rowling’s novel. The script strikes a proper balance of telling the story no matter the audience’s knowledge of this world. Relationships aren’t re-explained for the newcomers, but there is enough exposition, presented in a different way, to catch people up without boring those who already know what’s going on. It has been over four years since I read the book, so I can’t tell if anything of any significance is missing, but the story appears complete.

While I praise the script, I should point out it’s not the most original story. After all, these stories take place in the fantasy genre and are children’s books, so it’s no surprise that some elements feel familiar and obvious, such as Professor Lupin whose name implies that he’s a werewolf. Also, I would have liked more of an explanation as to what the Dementors specifically do and their origins. These are minor asides; however, because there is a plenty of characterization and plot developments to keep the viewer’s interest.

The actors get better and better with each film. I am almost embarrassed for the current state of American films because they never have this many good acting performances in one Hollywood film. Oldman, Thewlis and Thompson all do a wonderful job bringing their characters to life. In fact, my favorite scene takes place when Oldman, Thewlis and Rickman squaring off. It’s the first time all three are together in the film, but they capture the essence of people who have known each other for years.

Michael Gambon doesn’t distract in his taking over the role of Dumbledore, previously played by the late Richard Harris. There wasn’t a whole lot for him to do in this story so it gives him a chance to ease into the role. I didn’t have a problem with the kids growing up as has bothered some simpleminded critics. They looked fine to me since they are supposed to be aging. I did have a problem with one minor character, Neville, though. He grew out of being a chubby kid into a long beanpole. They should have recast him because he barely resembles himself from the previous films.

I don’t understand all the commentary in regards to the new director as if he saved the franchise. Admittedly, Bland Pack member, Chris Columbus, is a boring director whose creative choices could come out of a software program for all I know, but you would think that Cuaron reinvented the language of cinema.

I didn’t notice anything special about his creative choices. I hear some say that this story is darker, but he had nothing to do with that. That’s Rowling. The effects are better used, but after two or three years, they naturally would be. That’s how technology works, but again, that’s not anything done by the director. I’m the first one to pounce on a bad director and Columbus is horrible hack who must have compromising photos of someone to be continuing to work, but the current criticism is unwarranted. Now if people want to talk about how lame Nine Months or Home Alone is, please email me.

Leave a Reply

Your email address will not be published. Required fields are marked *

two × 9 =